SWG
Lavett Ballard
mixed media collage with gouache, metallic foil, digital archival photos, Gelli prints on Stonehenge paper, 22” x 30” framed to approx. 27” x 35”, $4,500
mixed media collage on birchwood panel, 36” x 36” framed to 37.5” x 37.5”
mixed media collage with Gelli Print and handmade paper on Stonehenge paper, 26″ x 40” framed to approx. 29” x 45”, $5,000
Lavett Ballard, Ashe (So Be It), 2022, mixed media collage on reclaimed wood fencing, 71” x 29.5”, $8,000
Lavett Ballard's work is grounded in personal memory, and is focused on the role of Black women in the US, including the obstacles they have encountered, the achievements they have made, and the memories they have stored. In addition to creating her compositions on traditional fine art surfaces, Ballard often uses reclaimed wooden fences as a support for her work, as a symbolic reference to how fences can keep people both in and out, just as racial and gender identities can do the same. In Ballard’s work, Black women throughout history appear as embodiments of grace, wisdom, and quiet perseverance, and are depicted as inheritors of our honor and respect. By re-inserting historic photographs into contemporary contexts and hand-embellishing them with a range of materials – metallic foils, abstract prints, burns – Ballard generates new narratives about Black women that bridge past and present.
Lavett Ballard (b. 1970) holds an MFA in Studio Art from the University of the Arts in Philadelphia, and a dual BA in Studio Art and Art History with a minor in Museum Studies from Rutgers University. Two of Ballard’s works have appeared on the cover of Time Magazine, first in March 2020 for their special multi cover edition for the 100th anniversary of Women’s Suffrage, and again in February 2023 for Pulitzer Prize winner Isabel Wilkerson’s essay about her book CASTE: Origins of our Discontent. Recent honors and awards include a 2023 NJ State Arts Council Individual Artist Fellowship, and the 2024 NAACP Image Award for the inclusion her work in The New Brownies' Book: A Love Letter to Black Families by Karida L. Brown & Charly Palmer.' Ballard’s artwork has also been used in film, television, and literary publications in addition to being acquired by many private and public institutional collections nationally and internationally.