SWG
Queens, Gods, and Devotees
Curated by Susanna W. Gold, PhD
Sept 26 - Dec 15, 2024
Frances M. Maguire Art Museum
at St. Joseph's University
50 Lapsley Lane | Merion, PA
ARTIST'S PANEL:
Curator Susanna Gold in conversation with
Tyler Ballon, Lavett Ballard, & Claes Gabriel
​Thurs, Nov. 7, 5:30-7:00pm
​
"The Whirling Dance," 1985 gouache and gold leaf on paper, 49" x 68.5"
"A Hopeful Truth / Iconography," 2023 24k gold leaf, 22k moon gold, acrylic paint, semi-precious stones & other mixed media on archival pigment print, 56" x 42"
"Elijah and the Ravens," ca. 1940 oil on canvas, 22.5" x 24.25"
Featuring over 30 paintings, sculptures, photographs, prints, and fiber works from ca. 1900 to the present, Queens, Gods, and Devotees foregrounds earthly and divine greatness, and their associated devotional objects and ritual practices. Spanning continents, cultures, and eras, many of these images of exalted figures and concepts related to spirituality and worship are specific to the Black American experience, or are re-imagined in a Black cultural context. References to Greek mythology, the Judeo-Christian tradition, ancient cultures, and traditional African spiritual practices appear alongside one another, offering viewers the opportunity to find parallels and distinctions in how greatness, power, and majesty have been represented in African American art, as well as how reverence and veneration have been envisioned.
"Feeding the Veins of the Earth (Grounded Angel)," 2020 oil, charcoal, and India ink on canvas, 100" x 84"
"Djadjat Saba," 2020 beeswax and pigment on panel, 30" diam. x 2"
"Adoration," 2019 mixed media collage, 30" x 24"
Celebrated figures from the Bible as well as powerful religious and mythological figures derived from African and ancient traditions appear throughout the galleries. Contemporary Black men and women are often elevated as sacred in their daily lives, or are engaged in spiritual practices derived from a range of African and ancient traditions. In several of the works on view, the visual language of abstraction addresses ancient African spiritual systems, the cosmos, and the afterlife, or communicates perspectives on culture and history, which are often intertwined with notions of prayer and worship. The wide variety of cultures, histories, and traditions that these artists collectively draw upon in their work calls attention to the universality of devotional human experience across time and place.
"Nicodemus," ca. 1900 oil on canvas, 21.75" x 18.75' x 2.5"
Untitled, 1981 lithograph on Arches paper, 30" x 22"
"Boy Holding Grapes," 2012 digital C-print, 40" x 30"
The exhibition includes 20th-c and 21st-c work by artists including:
Lavett Ballard
​Tyler Ballon
Richmond Barthé
Romare Bearden
Sharif Bey
John Biggers
Barbara Bullock
Margaret Burroughs
Tawny Chatmon
Ralph Chessé
Kevin Cole
Willie Cole
​Morel Doucet
Walter Edmonds
​Awol Erizku
Palmer Hayden
Claes Gabriel
Curlee Holton
Margo Humphrey
​​Imo Nse Imeh
Fabiola Jean-Louis
​Ashley Rivers​​​​
Tokie Rome-Taylor
Betye Saar
​Kevin Blythe Sampson
Sterling Shaw
Shinique Smith
Henry Ossawa Tanner
Stephen Towns
​LeRone Wilson
"This Too Shall Pass,"2020 oil and spray paint on canvas, 50" x 62"
"Circe," 1978 wool and Cotton, 58" x 83"
"Chiuta," 2020 acrylic on canvas, 16" x 20"
Selections in Queens, Gods, and Devotees are drawn entirely from the Petrucci Family Foundation Collection of African American Art. The PFF Collection is a targeted initiative to bring focus to the full range of African American visual creativity and its essential place in the history and discourse of American Art. As part of a growing and thoughtful dialogue about the African American experience through art, the PFF Collection seeks to visually represent a cross-section of themes that speak not only to the African American community, but also the broader American community. Established in 2006, the PFF Collection grew to several hundred works under the guidance of founding Director Berrisford Boothe working in conjunction with the Petrucci Family. The vision of Claudia Volpe, the PFF Collection’s current Director, has continued to shape the collection as it expands and reaches new audiences through loans and exhibitions.
For more information about the exhibition or questions about any of the art:
"Our Value > Cotton and Gold," 2020 archival pigment print, 30" x 20"
"Cleansing of the Soul," 2008 watercolor on paper, 26.75" x 22.25"
"Paradise Lost," 2020 archival pigment print, #2/15, 31" x 25.7"
"Standing in Need of a Blessing III," 2019 etched aluminum and art paper, 49" x 34" x 8"
"White Noise, Let the choir sing a magnified silence (25 Affirmation)," 2020 archival pigment print, 36" x 24"
"Talisman for Inner Sight," 2017 hand blown glass, copper, fabric, clothing, ribbon, and rope, 19" x 13" x 13"
"Mother and Child," 2020 cast bronze, 24" high
"Ceremonial Vessel," 2018 clay and mixed media, 24" x 9" x 9"
"Come Unto Me," 1930 bronze, 16" x 4"
"The Black Madonna," 2013 lithograph, 27.5" x 22.5"
"Black Venus," 1957 linoleum cut, 25.5" x 22"
"A Prophet Comes," 1974-75 oil on board, 42" x 32"
"The Ogun Sisters," 2012 screenprint, 42.75" x 34.25"
"Hoo Doo #19," 1992 mixed media on board (recto and verso), 9.5"x 7.5"
"Madonna of the Stoop," c. 1940 oil on canvss, 15" x 18"
"God Bearer - Theotokos," 2012 acrylic on canvas, 51.25" x 51.25"
"Give my sacrifice to the goddesses," 2022 acrylic, plaster, and colored pigments on canvas, 40" x 30" x 10"
"The Juice Ain't So Sweet," 2014 acrylic, oil, metal leaf, and brown paper bags on panel, 36.25" x 24.25"